Last week I heard Simon Mayo interviewing Andrew Davenport, the creative genius behind those contemporary classics of children's television Teletubbies and In The Night Garden, who has finally begun to emerge from behind his puppets and receive some of the recognition he deserves (it was the second BBC interview with him I’d heard in the past month).

Our shelves also contain dusty, worn-out VHS tapes of some of Davenport’s other early programmes, such as Brum and Rosie and Jim. What's more, living as we did in the Midlands when our children were young, we made frequent trips to the Ragdoll shop (sadly, no longer there) in Stratford-on-Avon. Once, we even saw the actual Rosie and Jim barge tied up on the river outside the Royal Shakespeare Theatre.
Now here’s my bid for Pseuds' Corner. If Tots TV - full of eccentric wit, but retaining a conventional narrative structure and recognisable characters - was Andrew Davenport's Portrait of the Artist as a Young Man, then maybe the more symbolic and mythopoeic Teletubbies is his Ulysses, and In the Night Garden, with its dreamy, half-conscious associative technique, his Finnegan's Wake. Or maybe Teletubbies is Davenport's Waste Land and In the Night Garden his Four Quartets?
I should stop now...