Evangelicalism seemed to me to have no place not only for the darker side of life, but also for ordinary, messy human emotions. By contrast, the rituals of Catholicism grounded as they were in the cycle of the seasons and in basic human needs, spoke of a more rounded and realistic view of human nature. If you've ever been to a modern evangelical funeral, you'll know what I mean. Grieving seems to be regarded as some kind of failure of faith: you're supposed to smile and be happy that your loved one is now with Jesus, not focus on your own feelings of loss, however devastating. There seems to be little recognition that to experience the dawn, you first have to face the darkness of night, that every Easter needs its Good Friday...
Paradoxically, of course, there's nothing Catholic about contemporary celebrations of Hallowe'en, at least not in Britain and North America. The 'Day of the Dead' festivals in Catholic countries such as Mexico are of a rather different order. But Hallowe'en belongs to an older, grimmer brand of evangelical Christianity, with its roots in the Calvinism of the kirk and the puritanism of Salem. When I was a child in '60s Essex, celebrations of Hallowe'en were almost unknown. The first we knew of it was when a friend who had moved down from Scotland invited me to a party at his house, and I was introduced to the alien rituals of apple-bobbing and pumpkin carving. Now, of course, the influence of American popular culture has made the festival ubiquitous. It's still a shock, though, to be in the States in the week before Hallowe'en, as we have been for the past two years - first in San Francisco, then in Washington DC - and to see virtually every house in Pacific Heights or Georgetown bedecked with multiple pumpkins, and to see skeletons, ghosts and witches dancing from every window.
Given the puritan roots of Hallowe'en, it's odd to witness the modern campaign against it led by evangelicals, or (as I would argue) resulting from the 'evangelicalisation' of other branches of Christianity, including Catholicism. However, it seems to me that both the roots of Hallowe'en, and the current opposition to it, lie in the same strangely literal and superficial understanding of evil (viz. the ridiculous conservative Christian campaign against Harry Potter, despite the Christian-influenced message of the books). Given all the real wickedness in the world - the cruelty, oppression and exploitation that are the daily diet of the news media - it seems perverse in the extreme to take fright at a bit of harmless magic and devilry. By campaigning against Hallowe'en, modern Christians are revealing the persistence of their own naive belief in a literal devil, and their odd lack of confidence in the power of light to banish that imaginary darkness.
